ReaGate – Reaper Gate PluginĪ very unique addition to ReaGate is the Hysteresis feature. In addition, you get a pre-open or look ahead feature, which can help get tighter gating without accidentally cutting off transients. The envelope section features the usual attack, hold and release parameters. ReaGate could have been just a simple gate open/close plugin, but it is spoiled with features that make it so much more. Even with all these features packed in, ReaComp is incredibly lightweight and stable. ReaComp features independent sliders for wet and dry signal mix, making it easy to achieve NY-style parallel compression. This is useful in situations like where a bass-heavy track needs to be compressed and the compressor reacts too much to the kick. The sidechain section also contains low-pass and high-pass filters to limit the frequency range that trigger the compression. This enables it to be used in a ‘ducking’ prevalent in dance music. It can also be set to use an external side-chained signal as the detector input, again with the choice to only use the left or right channel if desired. Apart from the normal setting of detecting the main stereo input, ReaComp can be set to detect only the left or right channel of the input signal too. One of my favorite things about this compressor is its comprehensive sidechain or detector section. A very useful auto make-up gain option makes it possible to automatically compensate for volume loss due to compression. An optional hard limiter is also included. ReComp supports compression ratios from 1:1(no compression) to infinity (limiting) with adjustable knee size.
This makes it ideal for usage on an instrument or mix bus. Further, it has an auto-release function similar to bus compressors designed to handle a wide range of complex musical content. Release times vary from 0ms to 5000ms, providing a wide range of compression styles. It supports attack values from 0ms to 500ms, making it suitable for ultra-fast transient control as well as more gentle musical compression. ReaComp is a highly transparent and super flexible compressor. Lastly, it has a fantastic spectrum analyzer that can stack dozens of instances without your CPU breaking a sweat. This can be very useful to automate time-based effects. For example, the frequency of a filter can be made to automatically modulate with an LFO. Every point on the graph can be easily adjusted using mouse modifiers to adjust bandwidth, gain, or fine-tune the target frequency.Īs with most other ReaPlugs, ReaEQ has a built-in capability to link its parameters to be modulated by external signals. The plugin displays the approximate note value and octave for each band frequency, which is helpful to tame resonant notes or room tones. Plus, there is an optional phase response button that displays the phase change caused by each EQ band. The real-time frequency analyzer gives an accurate measure of the frequency response of the input signal. ReaEQ supports unlimited EQ bands, with no limit on the number of each type of band: low-pass, high-pass, low shelf, high shelf, band, bandpass, and notch. ReaEQ is a great graphic equalizer because it’s accurate, light, and feature-packed. If you’re a fan of tools that can be tailored to your precise needs, don’t cost a penny, and give great reliable results, here is a list of my ten favorite ReaPlugs with an overview of their functionality: #1 ReaEQ – Graphic Equalizer They may not be the prettiest of the lot, but they are extremely functional with fantastic results, accurate metering, and near negligible CPU load. On the other hand, Reaper’s plugins cut down on the frills and provide high-quality, no-nonsense results. The frills are a clever way of appearing to look ‘premium’. Some plugins use aesthetic GUIs emulating hardware units to cover up for their shortcomings.
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These plugins are completely free to download for users of other DAWs as well. However, in addition to its endlessly customizable and powerful workflow, it contains a venerable suite of stock utility plugins known as ‘ReaPlugs’. Its small size is primarily because Reaper doesn’t ship with any virtual instruments or sample libraries. Reaper’s humble installer size (a minuscule 14 MB) belies the serious punch it packs in functionality.
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